T for Tom

Day 35 – Love and Theft – 2001

Posted in A Dylan A Day by johnsontoms on July 27, 2016

 

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Love and Theft came out on 9/11, for what it’s worth. It doesn’t actually mean anything, but it’s always a piece of trivia. Using the pseudonym Jack Frost, Bob Dylan produced his 31st studio album on his own. It was released to universal praise and acclaim, and this is the first time I’ve ever listened to it.

It would undergo scrutiny for having lifted lines directly from Diary of a Yakuza, but I don’t understand the point of that line of thinking. Only the people who’ve never written anything or done anything creative can stand back from creation and say, “you can’t take others’ ideas.” And so it goes that the author of Yakuza said he was honored if it was true that Dylan stood on his shoulders a bit.

Which is most of the point of Love and Theft, as Bob Dylan stands heavily on the musical shoulders of those before him. I’d call it Americana rock’n’roll, but I guess the official term is roots rock – whatever it is, this album sounds like the old frontier, or at least the beginnings of rock’n’roll in the age of television. While it’s great, it’s an homage, less a beginning – in order to start over, Bob Dylan has clearly had to go back, back to recreate the sounds of youth.

Coming after Time Out of Mind, it’s exactly what the man needed (or at least sounds like to me, as a listener). He found something good with Time Out of Mind, and the people liked it. If there’s one thing I’ve learned after all these albums and all these songs, Bob Dylan cares deeply about what the people want, even when he purposely contradicts their expectations.

And Love and Theft defers, comes in the fact that for the first time, he’s composing fully arranged tunes based on traditional music, rather than just acoustic guitar tunes. The result is good, but missing slightly on the spirit of the man.

This is a good album, though not quite as ornery as Time Out of Mind. And I know through personal favor and foresight, that it all comes together a few years later. I’ll tell you more about how when that album arrives tomorrow.


Song: “Sugar Baby”

In an otherwise upbeat and rocking record, it’s the stormy lullaby at the end that stands out.

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