T for Tom

Day 38 – Tempest – 2012

Posted in A Dylan A Day by johnsontoms on July 29, 2016


Another bit of speculation led to people thinking that Tempest might be Bob Dylan’s last record, because Shakespeare’s last play was titled “The Tempest.” Bobby struck this down saying emphatically, “Shakespeare’s last play was called The Tempest. It wasn’t called just plain “Tempest”. The name of my record is just plain Tempest. It’s two different titles.” Whatever, man.

Of course he’s written more records since, but Tempest comes as a charge, a dark reach into the ether. Furthermore, I can say that it’s the strongest collection of stories he’s written since the start of his career.

Chief among them is the title-track, a thirteen-minute screed on watching people react to the sinking of the Titanic, “some nobly, some horribly, when put to the ultimate test.” It can rightly be called an allegory for today’s fate, as it sings and swims over the waltzing melody, like a carnival eulogy for fools. There are other great stories among the songs, and it feels again like he’s gotten hold of that chord inside him whereabout he wrote such classics as “Bear Mountain Picnic” and the “The John Birch Society Blues.”

For the strength inherent in tapping into his best work, we’re given a surprisingly great album. The split opinion of all the critics ranges from “among his best work” to the “best album of his late career.” I can see both sides of the argument.

Like Modern Times, the sound is direct and on point – the voice comes through strong, even though it sounds like leather these days. Where Together Through Life had just a bit too much arrangement going on, there’s only the sweeping dancehall tunes to greet us on this harrowing record.

It’s another achievement in art and sound, as well, as the duotone photograph on the cover depicts the face of the Moldau goddess of the Pallas-Athene Fountain in front of the Vienna congressional hall. More interestingly, it’s an edit of a photograph he found on someone’s personal Shutterstock, and not a professionally contracted work of photography. Nonetheless, the striking cursive TEMPEST across the top with a beautiful, subtle yellow script of his name in a simple Times New Roman font. It carries that fateful feeling, like the stories within.

And that’s the summary of life, according to Bob Dylan. Storms and shelters.

Song: “Pay In Blood”

I had put “Duquesne Whistle” here because it gets me dancing, but “Pay In Blood” is the best track that symbolizes Tempest, and it’s a damn good song. The drop groove heading into the chorus gets me every time.


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